Monday, November 10, 2025

Country Music World Rocked By Icon’s Death. Here’s Everyone We Lost In 2025 

Getty Images

The country music world has lost some iconic names in 2025. As we head into the homestretch, we take a moment to look back at the country music stars and influential names that have been lost thus far this year. Check out those names below as well as the major stars and names that we lost in 2024…….Continue reading…

By Brian Linder

Source: Penn Live

.

Critics:

Music therapy is an interpersonal process in which a trained therapist uses music and all of its facets physical, emotional, mental, social, aesthetic, and spiritual to help clients to improve or maintain their health. In some instances, the client’s needs are addressed directly through music; in others they are addressed through the relationships that develop between the client and therapist.

Music therapy is used with individuals of all ages and with a variety of conditions, including: psychiatric disorders, medical problems, physical disabilities, sensory impairments, developmental disabilities, substance abuse issues, communication disorders, interpersonal problems, and aging. It is also used to improve learning, build self-esteem, reduce stress, support physical exercise, and facilitate a host of other health-related activities.

Music therapists may encourage clients to sing, play instruments, create songs, or do other musical activities. In the 10th century, the philosopher Al-Farabi described how vocal music can stimulate the feelings and souls of listeners. Music has long been used to help people deal with their emotions. In the 17th century, the scholar Robert Burton’s The Anatomy of Melancholy argued that music and dance were critical in treating mental illness, especially melancholia.

He noted that music has an “excellent power …to expel many other diseases” and he called it “a sovereign remedy against despair and melancholy.” He pointed out that in Antiquity, Canus, a Rhodian fiddler, used music to “make a melancholy man merry, …a lover more enamoured, a religious man more devout.” In the Ottoman Empire, mental illnesses were treated with music. In November 2006, Michael J. Crawford and his colleagues also found that music therapy helped schizophrenic patients.

Modern music psychology aims to explain and understand musical behavior and experience. Research in this field and its subfields are primarily empirical; their knowledge tends to advance on the basis of interpretations of data collected by systematic observation of and interaction with human participants. In addition to its focus on fundamental perceptions and cognitive processes, music psychology is a field of research with practical relevance for many areas, including music performance, composition, education, criticism, and therapy, as well as investigations of human aptitude, skill, intelligence, creativity, and social behavior.

Cognitive neuroscience of music is the scientific study of brain-based mechanisms involved in the cognitive processes underlying music. These behaviours include music listening, performing, composing, reading, writing, and ancillary activities. It also is increasingly concerned with the brain basis for musical aesthetics and musical emotion. The field is distinguished by its reliance on direct observations of the brain, using such techniques as functional magnetic resonance imaging (fMRI), transcranial magnetic stimulation (TMS), magnetoencephalography (MEG), electroencephalography (EEG), and positron emission tomography (PET).

Cognitive musicology is a branch of cognitive science concerned with computationally modeling musical knowledge with the goal of understanding both music and cognition. The use of computer models provides an exacting, interactive medium in which to formulate and test theories and has roots in artificial intelligence and cognitive science.

Cognitive musicology investigates topics such as the parallels between language and music in the brain. Research often includes biologically inspired models of computation, such as neural networks and evolutionary programs. This field seeks to model how musical knowledge is represented, stored, perceived, performed, and generated. By using a well-structured computer environment, the systematic structures of these cognitive phenomena can be investigated.

Psychoacoustics is the scientific study of sound perception. More specifically, it is the branch of science studying the psychological and physiological responses associated with sound (including speech and music). It can be further categorized as a branch of psychophysics. Evolutionary musicology concerns the “origins of music, the question of animal song, selection pressures underlying music evolution”, and “music evolution and human evolution”.

It seeks to understand music perception and activity in the context of evolutionary theory. Charles Darwin speculated that music may have held an adaptive advantage and functioned as a protolanguage, a view which has spawned several competing theories of music evolution. An alternate view sees music as a by-product of linguistic evolution; a type of “auditory cheesecake” that pleases the senses without providing any adaptive function.This view has been directly countered by numerous music researchers.

An individual’s culture or ethnicity plays a role in their music cognition, including their preferences, emotional reaction, and musical memory. Musical preferences are biased toward culturally familiar musical traditions beginning in infancy, and adults’ classification of the emotion of a musical piece depends on both culturally specific and universal structural features. Additionally, individuals’ musical memory abilities are greater for culturally familiar music than for culturally unfamiliar music.

Thursday
In the last month

Indy school using music, art to teach the importance of Black History Month WRTV, Indiana 03:40 Wed, 26 Feb 

Thursday
Wednesday
In the last month

Leave a Reply

Previous Post
at No comments:
Labels: , , , , , , , , , ,
Location: 7PXH+M3 Ragan, NE, USA

Sunday, November 9, 2025

Gothic Architecture: Everything You Need To Know 

David Clapp/Getty

Recognizable for its pointed arches and rib vaults, Gothic architecture was Europe’s primary building style for cathedrals from the late 12th to the 16th century. It evolved from its heavier, rounder predecessor, Romanesque architecture, capitalizing on newly available technology to create taller, lighter, pointier structures with complex ornamentation……..Continue reading….

By: Morgan Goldberg

Source:  Architectural Digest

.

Critics:

Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France.

The style at the time was sometimes known as opus Francigenum the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity. The defining design element of Gothic architecture is the pointed arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows.

At the Abbey of Saint-Denis, near Paris, the choir was reconstructed between 1140 and 1144, drawing together for the first time the developing Gothic architectural features. In doing so, a new architectural style emerged that emphasized verticality and the effect created by the transmission of light through stained glass windows. Common examples are found in Christian ecclesiastical architecture, and Gothic cathedrals and churches, as well as abbeys, and parish churches.

It is also the architecture of many castles, palaces, town halls, guildhalls, universities and, less prominently today, private dwellings. Many of the finest examples of medieval Gothic architecture are listed by UNESCO as World Heritage Sites. With the development of Renaissance architecture in Italy during the mid-15th century, the Gothic style was supplanted by the new style, but in some regions, notably England and Belgium, Gothic continued to flourish and develop into the 16th century.

A series of Gothic revivals began in mid-18th century England, spread through 19th-century Europe and continued, largely for churches and university buildings, into the 20th century.The Gothic style of architecture was strongly influenced by the Romanesque architecture which preceded it; by the growing population and wealth of European cities, and by the desire to express local grandeur.

It was influenced by theological doctrines which called for more light and by technical improvements in vaults and buttresses that allowed much greater height and larger windows. It was also influenced by the necessity of many churches, such as Chartres Cathedral and Canterbury Cathedral, to accommodate growing numbers of pilgrims. 

It adapted features from earlier styles. According to Charles Texier (French historian, architect, and archaeologist) and Josef Strzygowski (Polish-Austrian art historian), after lengthy research and study of cathedrals in the medieval city of Ani, the capital of the medieval kingdom of Armenia concluded to have discovered the oldest Gothic arch. According to these historians, the architecture of the Saint Hripsime Church near the Armenian religious seat Etchmiadzin was built in the fourth century A.D. and was repaired in 618.

The cathedral of Ani was built in 980–1012 A.D. However many of the elements of Islamic and Armenian architecture that have been cited as influences on Gothic architecture also appeared in Late Roman and Byzantine architecture, the most noticeable example being the pointed arch and flying buttress. The most notable example is the capitals, which are forerunners of the Gothic style and deviated from the Classical standards of ancient Greece and Rome with serpentine lines and naturalistic forms.

The plan of Gothic cathedrals and churches was usually based on the Latin cross (or “cruciform”) plan, taken from the ancient Roman Basilica, and from the later Romanesque churches. They have a long nave making the body of the church, where the parishioners worshipped; a transverse arm called the transept and, beyond it to the east, the choir, also known as a chancel or presbytery, that was usually reserved for the clergy.

 

The eastern end of the church was rounded in French churches, and was occupied by several radiating chapels, which allowed multiple ceremonies to go on simultaneously. In English churches the eastern end also had chapels, but was usually rectangular. A passage called the ambulatory circled the choir. This allowed parishioners, and especially pilgrims, to walk past the chapels to see the relics displayed there without disturbing other services going on.

Each vault of the nave formed a separate cell, with its own supporting piers or columns. The early cathedrals, like Notre-Dame, had six-part rib vaults, with alternating columns and piers, while later cathedrals had the simpler and stronger four-part vaults, with identical columns. Cathedrals and churches were traditionally constructed with the altar at the east end, so that the priest and congregation faced the rising sun during the morning liturgy.

The sun was considered the symbol of Christ and the Second Coming, a major theme in Cathedral sculpture. The portion of the church east of altar is the choir, reserved for members of the clergy. There is usually a single or double ambulatory, or aisle, around the choir and east end, so parishioners and pilgrims could walk freely easily around east end. In Romanesque churches, the east end was very dark, due to the thick walls and small windows.

In the ambulatory of the Basilica of Saint Denis, Abbot Suger first used the novel combination rib vaults and buttresses to replace the thick walls and replace them with stained glass, opening up that portion of the church to what he considered “divine light”. In French Gothic churches, the east end, or chevet, often had an apse, a semi-circular projection with a vaulted or domed roof.

The chevet of large cathedrals frequently had a ring of radiating chapels, placed between the buttresses to get maximum light. There are three such chapels at Chartres Cathedral, seven at Notre Dame de Paris, Amiens Cathedral, Prague Cathedral and Cologne Cathedral, and nine at Basilica of Saint Anthony of Padua in Italy. In England, the east end is more often rectangular, and gives access to a separate and large Lady Chapel, dedicated to the Virgin Mary. Lady Chapels were also common in Italy.

In the last 4 hours
 
In the last 6 hours
In the last 8 hours
Earlier Today
Yesterday
 

Why Alien: Romulus’ architecture makes it one of the creepiest films ever – and how it was made Creative Bloq 15:33 Mon, 03 Mar 

.
.
at No comments:
Labels: , , , , , , , , ,
Location: GP7V+FF Glen Elder, KS, USA
Subscribe to: Comments (Atom)

Cell Phone Profits System The Intelligent Robot Assistant Designed To Help Freelancers

Working from home has never been easier — or smarter. Introducing Cell Phone Profits, the intelligent robot assistant designed to help freel...